BACK AGAIN: GOTHIC / WAVE / DARK-WAVE
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SUMERLAND
- Interview
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As you are not very well known in Europe yet, please tell us a few words
of who, what, when why and everything else of interest... ! From our
bio: Four sets of hearts and minds shape SUMERLAND (soo-mur land): Dorien
Campbell (vocals and guitar), David Gibson (bass), Marshall Serna
(keyboards), and Enrique Ugalde (drums, guitar, vocals). Sharing a similar
musical vision, we formed the band in `97, taking the name after a
progressive state of consciousness achieved on the way to the afterlife.
Our first recording was the CDEP “…and all is always now”, released
in February 2000. It featured the song “Circle Dance”, which helped us
achieve international and US airplay, and praises from the press. Outburn
Magazine noted “…SUMERLAND’s depth and individuality shine…”,
while Starvox.net says, “the rich textures woven by these passionate
musicians play counter melody to one of the most seductive vocal talents
I’ve heard in ages.” Later in September 2000 we
contributed the tribal “Morpheus (repraise)” to the Middle Pillar
Presents Butoh CD compilation. Sumerland was then signed to the Middle
Pillar label in early 2001. ?
Your first album was released by the MIDDLE PILLAR label, how did you come
in contact with them and how could you convince them to release your
music? ! David:
Just as we were becoming ready to shop the CDEP to labels, Nick Pagan
(formerly of The Changelings) suggested we try Middle Pillar. I went to
their web site and based on the vibe I got, I could tell that we would
work very well together. I sent them our demo kit, and followed up
with email. I thought that they would pass on us, as Sumerland’s
sound is quite different from their previous releases. After a long
time without an answer from them, I started to send very creative emails.
These would vary in subject from weather reports to illegal fireworks,
anything besides the music. I just kept bugging them until they agreed to
sign us. Since then, there has not been any doubt in my mind about our
decision to work together. I hope to become the band that made the
label that made the band…
! Enrique:
It's genuine. A rarity in music today. ?
Can you tell us a bit about your live show? Is it a „big“ show or more
kind of „pure music“? ! David:
Our music has a spiritual intensity that truly reveals its sincerity
during a live performance. Our shows consistently leave audiences
spellbound and slack-jawed. Occasionally we will have fire performers or
other performance artists accompany us, but it is the music that makes the
evening. ?
Can we expect you in the near future in Europe?
?
Are you professional musicians or do you still have to work in a daily job
to pay your rent? What are you doing? ! Dorien:
We are professional musicians in the sense that we've all been playing in
various projects over the last several years. We have a professional look
and a professional sound but not a professional paycheck. ?
A very “stupid” question now...which bands did influence your work? ! David:
As individuals, there have been many bands that have influenced us.
Speaking as a band, our common musical influences have been Swans, Dead
Can Dance, Cocteau Twins, and other great ethereal artists. Sol Invictus
and The Changelings have both helped and inspired Sumerland to rise up to
a higher level. ?
Do you think some kind of musical collaboration with other bands/musicians
will happen in the future or is actually anything planned? With whom would
you like to work mostly?
?
Your music often has a very tribal atmosphere, especially the drumming,
are you influenced/interested by ancient cultures and do you think, there
could be possibly a conceptual work about such themes in the future by
SUMERLAND? ! Enrique:
I'm very persuaded by ancient wisdom, particularly in terms and
applications of the spirit. It's natural that would bleed into the music.
SIVO in itself is the classic metaphorical myth of the life and
experience. ?
Can you give some short infos, what has changed for you personally and for
your Country in genaral since the WTC-terror attack? ! Marshall:
At first these events made all of my efforts seem insignificant. I think
now there's more of a sense of urgency - of importance to this project,
and art in general for that matter. ! Marshall:
Rent a room in a haunted hotel. ?
Anything important, I forgot to ask? Anything you want to add and tell our
readers? Next plans, releases...? ! David:
Yeah, I can ramble for a bit. Perhaps our
greatest opportunity came when Kismet, the opening act for Sol Invictus’
West Coast Tour, cancelled. Enrique played our demo tape over the
phone to the tour manager, and we were handed the last three shows of the
tour. The shows went very well, we gained national attention, made
some new friends, and had a really good time.
Watch for a
U.s. Tour in the spring of 2002 and a second CD fall or winter 2002. Thank
you very much. It was a pleasure doing this interview. Oh, it was a pleasure for me, too! SUMERLAND seem to be really nice people and hopefully, they will tour Europe in the future. I would like to meet them personally some day. And, of course, I would love to see them performing their music live. Until then, listen to “Sivo” and meet SUMERLAND in the www. (A.P.)
Because of
the band´s name, I exspected something in the vein of Fields Of The
Nephilim, but SUMERLAND do not sound like these 80s Gothic-Rockers, even,
if they actually can be described as Gothic too, but more in a romantic
way, not very rocky. The voice of singer Dorien Campbell is very gentle
and sounds natural and releaxed. Actually, it is more Wave than
Gothic-Rock and sometimes SUMERLAND are comparable to the brilliant band
Audra or even Faith And The Muse (with male vocals), I think. What I like
mostly on SUMERLAND, is the drumming, which is really powerful and has a
certain tribal feeling, just listen to the Opener “Zarathustra” or the
next track “Glorious”. But the band is also able to play more rough
songs like “Bygones To The New Heaven”, which reminds me musically a
bit on Rozz Williams/Christian Death, maybe the soundtrack for an ancient
worship or something like that. The singing in “Interlude” has a bit
of a Peter Murphy atmosphere, “Mother Earth” is a potential Club Hit,
“Elaphim” would be a good track for a Single release and so the album
goes on, sometimes calm and acoustic, then powerful and more straight, but
always great! As the artwork of “Sivo” is very nice, too, it becomes
one of my Top 10 albums in 2001. Don´t miss this masterpiece of very
many-sided Gothic music! (A.P.) |